Michael "Mike" Maltese (6 February 1908 - 22 February 1981) was a long-time storyboard artist and screenwriter for classic animated cartoon shorts.
In 1941, Maltese was hired by Leon Schlesinger Productions, which three years later became Warner Bros. Cartoons, Inc. (Maltese had actually appeared on camera in a 1940 Porky Pig cartoon as a live-action guard at the Warner Brothers entrance gate, who winds up chasing the animated Porky around the Warners lot; the short is entitled "You Ought to Be in Pictures" and was directed by Friz Freleng). He and Chuck Jones collaborated on classic cartoons like the Academy Award-winning "For Scent-imental Reasons" and the animated public health documentary, "So Much For So Little" which won that same year for "Best Documentary Short Subject." Maltese was also the voice of the Lou Costello-esque character in "Wackiki Wabbit". Some of his earlier works included "The Wabbit Who Came to Supper" and "Fresh Hare", "Hare Trigger" (which introduced Yosemite Sam), "Baseball Bugs" for Freleng, and "Bear Feat", "Rabbit of Seville", and "Rabbit Fire" for Jones. Some of his best known cartoons are "Feed the Kitty", "Beep, Beep", "Rabbit Seasoning", "Don't Give Up the Sheep", "Duck Amuck", "Bully For Bugs", "Bewitched Bunny", "From A to Z-Z-Z", and "Beanstalk Bunny". These were all directed by Jones. He also worked on "One Froggy Evening", the first appearance of future Warner Brothers mascot Michigan J. Frog. Some of his later cartoons included "Ali Baba Bunny", "Robin Hood Daffy", the seminal "What's Opera, Doc?" and "Duck Dodgers in the 24½th Century" for Jones and "Person to Bunny" (the final time Arthur Q. Bryan voiced Elmer J. Fudd) and "Here Today, Gone Tamale" (the only Speedy Gonzales cartoon he ever wrote) for Freleng. Maltese also collaborated with Jones on Tom and Jerry. From 1958 until 1970, he worked at Hanna-Barbera Productions on television cartoons such as Quick Draw McGraw, The Flintstones, and The Jetsons. His off-the-wall humor inspired some of the sharpest wit in the Warner Brothers canon. Only Maltese would imagine he could "improve" Richard Wagner by the addition of deliberately insipid lyrics, such as he created for the schmaltzy "Return My Love" sung by Bugs and Elmer in "What's Opera, Doc?" (Tongue in cheek he even took a screen credit for his lyrics). Maltese also did scripts for comic books published by Western Publishing, including for many of the same Warner Brothers and Hanna-Barbera characters whose animated exploits he scripted.