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The Censored Eleven is a term referring to 11 pre-1948 a.a.p.-owned, Merrie Melodies and one Looney Tune, shorts that were taken out of circulation by United Artists, (by then the owners of the pre-1948 Looney Tunes and Merrie Melodies cartoons) in 1968 due to racial stereotyping from United States television.
About the cartoons
Many cartoons from previous decades are routinely edited on international television (and on some video and DVD collections) today. Usually, the only censorship deemed necessary is the cutting of the occasional racist joke, instance of graphic violence, or scene of a character doing something that parents and watchdog groups fear children will try to imitate, such as smoking, drinking alcohol, or self-harming activities such as depictions of suicide.
One classic cartoon gag, most prominent in MGM's Tom and Jerry cartoons, is the transformation of characters into a blackface caricature after an explosion or an automobile backfire. A sequence in the Tom and Jerry cartoon Mouse Cleaning (1948) turned Tom into a blackface caricature. Upon questioning by Mammy Two Shoes, Tom answers "No, ma'am. I ain't seen no cat aroun' here… uh unh, ain't no cat, no place, no how-no ma'am," in stereotypical African-American dialect. 
However, racial themes are so prominent in the cartoons that the copyright holders believe that no amount of selective editing could ever make them acceptable for distribution.
Two of the Censored Eleven directed by Bob Clampett have been defended by some film historians: Coal Black and de Sebben Dwarfs and Tin Pan Alley Cats. The former is a jazz-based parody of Walt Disney's Snow White and the Seven Dwarfs, while the latter is a hot jazz re-interpretation of Clampett's now-classic 1938 short Porky in Wackyland. Author Michelle Klein-Hass wrote the following:
- ". . . some even look at Clampett's Jazz cartoons and cry racism when Clampett was incredibly ahead of his time and was a friend to many of the greats of the LA jazz scene. All of the faces you see in Tin Pan Alley Cats and Coal Black and de Sebben Dwarfs are caricatures of real musicians he hung out with at the Central Avenue jazz and blues clubs of the '40s. He insisted that some of these musicians be in on the recording of the soundtracks for these two cartoons."
Bob Clampett himself explained the evolution of "Coal Black" during his public appearances in the 70s and 80s, and during taped interviews:
- "In 1942, during the height of anti-Japanese sentiment during World War II, I was approached in Hollywood by the cast of an all-black musical off-broadway production called Jump For Joy while they were doing some special performances in Los Angeles. They asked me why there weren't any Warner's cartoons with black characters and I didn't have any good answer for that question. So we sat down together and came up with a parody of Disney's [http://disney.wikia.com/wiki/Snow_White_and_the_Seven_Dwarfs Snow White and the Seven Dwarfs"
The cartoon output of Warner Bros. during its heyday even sometimes had censorship problems more complex in some respects than those of features. Unlike feature films, which were routinely censored in the script, the animated shorts were passed upon only when completed, which made the producers exceptionally cautious as to restrictions. In 1983, director Chuck Jones commented on the television censorship of the Warner Bros. cartoons: "I don't like to see the films cut at all. […] They make some cuts that are so arbitrary and stupid, you can't believe it." Independent stations that once ran the syndicated Warner Bros. cartoons never had the same type of censorship as first-run networks such as ABC and CBS did for the cartoons. Some stations even owned syndication rights to "a few they consider[ed] racially stereotypical," but never ran them.
When Ted Turner obtained the rights to the pre-1950 Warner Bros. library from MGM/UA in 1986, he vowed that he would not distribute or air any cartoons from the Censored Eleven. They were the only cartoons in this package not to be featured in the laserdisc series The Golden Age of Looney Tunes.
Since Time Warner bought Turner Broadcasting System on October 10, 1996, this policy has largely been upheld, but has also shown signs of weakening. A total of twelve Bugs Bunny shorts were not aired on Cartoon Network during its "June Bugs" marathon in 2001. However, Warner Bros. began to release DVD collections of classic cartoons in 2003 entitled the Looney Tunes Golden Collection with one of the cartoons (Frigid Hare, which depicts a stereotypical Eskimo trying to kill a baby penguin, and was still seen on Cartoon Network as late as 2002 and featured as a DVD extra in March of the Penguins) featured on the set uncut and uncensored. Also in 2001, Cartoon Network animation documentary show ToonHeads had a one-hour special centered on World War II-era cartoons and two World War II-era Bugs Bunny shorts Herr Meets Hare shown in full and Bugs Bunny Nips the Nips shown in clips in a short montage about the depictions of Japanese people at the time they were shown.
While none of the shorts included on the discs are part of the Censored Eleven, many of the cartoons that were included were routinely censored on television, but were included uncut on DVD. Furthermore, each DVD from the Looney Tunes Golden Collection: Volume 3 opens with a foreword by Whoopi Goldberg, where she warns the audience about some of these shorts, stating that although the behavior was and is not acceptable, the cartoons depicting this are a vital part of history and should not be forgotten. The Looney Tunes Golden Collection: Volume 4 collection includes a similar disclaimer, written on a gold card and merely summarized the point that while the cartoons are considered offensive today for what they depict, they are not going to be shown censored because editing out the racist depictions—and therefore effectively denying that the racism of the era ever happened—is worse than actually showing them.
Dubbed versions exist for every pre-1948 cartoon, but it is unknown if the Censored Eleven have dubbed versions. The Censored 11 have a.a.p. prints, like all other cartoons at the time.
Censored Eleven list
The cartoons featured in the Censored Eleven are:
- Hittin' the Trail to Hallelujah Land (1931, directed by Rudolf Ising)
- Sunday Go to Meetin' Time (1936, directed by Friz Freleng)
- Clean Pastures (1937, directed by Freleng)
- Uncle Tom's Bungalow (1937, directed by Tex Avery)
- Jungle Jitters (1938, directed by Freleng)
- The Isle of Pingo Pongo (1938, directed by Avery)
- All This and Rabbit Stew (1941, directed by Avery)
- Coal Black and de Sebben Dwarfs (1943, directed by Robert Clampett)
- Tin Pan Alley Cats (1943, directed by Clampett)
- Angel Puss (1944, directed by Chuck Jones)
- Goldilocks and the Jivin' Bears (1944, directed by Freleng)
- Angel Puss is the only Looney Tunes entry in the Censored Eleven. The other ten shorts are in the Merrie Melodies series.
- Goldilocks and the Jivin' Bears is the only one to be not produced by Leon Schlesinger. It was also the first cartoon to be produced by Eddie Selzer.
- Hittin' the Trail for Hallelujah Land is the only black and white short on the list. All the others are in color.
- Hittin' the Trail for Hallelujah Land was the only Piggy cartoon on the list. The Isle of Pingo Pongo was the only Egghead cartoon on the list, and All This and Rabbit Stew was the only Bugs cartoon on the list. The other eight on this list are one-shot cartoons.
- Friz Freleng directed the most cartoons on the list (4 cartoons in the list), followed by Tex Avery (3 cartoons in the list), Bob Clampett (2 cartoons in the list) and lastly, Rudolf Ising and Chuck Jones (with only 1 cartoon each in the list).
Official DVD release
TCM showed 8 of these in 2010 at the Egyptian Theater in Hollywood, for a possible DVD release. The 3 that were not shown were Jungle Jitters, Angel Puss, and All This and Rabbit Stew.
At the New York Comic Con in October 2010, Warner Bros. confirmed that an uncut DVD release of the Censored Eleven via the Warner Archives would come soon. However, on December 1st, animation expert Jerry Beck announced that WB was planning to just go ahead with a traditional retail release, which would feature the Censored Eleven, fully restored, as well as some other rare cartoons and bonus material. As of March 2012, this has not come to fruition. However, on August 10, 2016, Jerry Beck mentioned that the WB market is too dead for DVD releases.
He said, from an email, "None of those announced DVDs are coming out. Warner Bros. considers the DVD market dead for classic cartoons. There are no plans for further DVDs or Blu-rays featuring classic cartoons. I am talking to Warner Archive and maybe at some point they will release some older MGM or WB cartoons, but there are no plans to do so at this time."
- ↑ Lehman, Christopher P., The Colored Cartoon: Black Presentation in American Animated Short Films. University of Massachusetts Press, 2007. p 113-114
- ↑ https://groups.google.com/group/rec.arts.animation/msg/d67c97d842389289?hl=en&dmode=source
- ↑ Look staff 17.
- ↑ Fanton 31-32.
- ↑ Fanton 32.
- ↑ Julien WILK. lddb.com. lddb.com. Retrieved on 2011-07-11.
- ↑ http://www.cinemablend.com/television/Why-Tom-Jerry-Now-Comes-With-Racism-Warning-67631.html
- ↑ http://www.toonzone.net/forums/threads/wb-censored-eleven-dvd.5311761/#post-84623651
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